Surrealism started to take off in the early 20’s and ‘30s. Even some of the technologies and sports are regarded as “Art” while still belonging to the art family under the pop culture category. Throughout the many years that Art has been around, it’s been seen in a variety of ways, shapes and forms, whether it be a painting from the Renaissance period or a sculpture from today’s era. This interpretation allows us to see the painting in a new light and appreciate its beauty even more. It is not just about time or memory, but also about the way that memories can slowly fade away. Overall, the “disintegration” interpretation of “The Persistence of Memory” provides a more nuanced and complex view of the painting. Additionally, the clocks are all different sizes, which could represent the different ways that memories can fade (some may disappear quickly, while others may linger for longer). This could be seen as a metaphor for how memories can become distorted and unclear over time. For example, notice how the clocks in the painting are melting. There is evidence to support this interpretation. This theory suggests that the painting is not just about the passage of time or the fragility of memory, but also about the way that memories can slowly fade away and eventually disappear. However, there is one interpretation of the painting that is often overlooked: the possibility that the clocks are actually disintegrating. Some say that the clocks represent the passage of time, while others believe that they are symbols of memory and its fragility. The painting depicts melting clocks in a dreamlike landscape, and has been interpreted in many different ways. There's almost certainly some curator's attempt to get people to think about what art is, and why they immediately consider the Dali to be "Art" but the Orozco to be trash.Salvador Dali’s painting “The Persistence of Memory” is a Surrealist masterpiece that has captivated viewers for generations. After that, anyone who does something similar is being derivative, lazy, and cliche.Įdit: I forgot to add, the juxtaposition of these two artworks is probably not coincidence. I think, with his work, there's a certain amount of doing something new, first, and (more or less) "best". A presence, however slight, was the key to seeing the emptiness of the room, as just a single sound is needed to manifest silence.” – Ann Temkin “It was a poem about nothing, that beautifully, could thus be one about everything too. Yogurt Caps challenged the viewers' notion of space, emptiness, self-awareness, and the body. Orozco has said a number of times that he aims to “disappoint the viewer.” In other words, his work can sometimes seem underwhelming to those who may have come to the experience with certain expectations. For his first show with Marian Goodman in New York, Orozco placed four yogurt caps onto each opposing wall in the empty northern room of the gallery. It is already evident in works such as La DS, Home Run, and Empty Shoe Box that Orozco pays great attention to the space in which his viewers will interact with his work. He also took a shit in a can and then literally sold it for its weight in gold.įrom an explanation of his work "Yogurt Caps" (four yogurt carton lids placed on different walls of a large room): Why? "Because we're all consumers of art, maaaan" (hits blunt) He also stuck his thumbprint on an egg and declared, "This is a work of art now," and everyone scratched their chin and nodded, "Yes, that is a work of art," after which I can only assume he started giggling to himself maniacally. Artistic genius? Maybe, although I'm pretty sure it was an just elaborate ploy to see pretty naked ladies.Īt one point, he started hard-boiling eggs in an art gallery, and encouraged visitors to eat them. He would have people stand on a pedestal and sign their bodies as a work of art, or alternatively only declare a part of their body a work of art, or declare them a work of art, but only when they were on the pedestal. Apart from an uncanny obsession with drawing the longest straight line ever and sticking white objects on a white canvas (bread, faux fur, cloth) all his projects sound like things a High School sophomore comes up with while high. Piero Manzoni, probably my favorite 20th century artist, made a name for himself trolling the entire art world in the late 50's and early 60's.
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